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  1. Harry Smith's Anthology of American Folk Music, Volume 4 is a two-disc compilation of twenty-eight American folk recordings originally released on 78 rpm records between and , issued in May on Revenant Records, catalogue #Genre: Country, folk.
  2. Editorial Reviews. Originally released in as a quasi-legal set of three double LPs and reissued several times since (with varying cover art), Anthology of American Folk Music could well be the most influential document of the '50s folk revival. Many of the recordings that appeared on it had languished in obscurity for 20 years, and it proved a revelation to a new group of folkies, from /5(9).
  3. The Anthology of American Folk Music is a six-album compilation released in by Folkways Records (catalogue FP , FP , and FP ), comprising eighty-four American folk, blues and country music recordings that were originally issued from to Experimental film maker Harry Smith compiled the music from his personal collection of 78 rpm indie.darkfurymoongrovemightfont.infoinfo: Country, folk, blues.
  4. Bill & Belle Reed - Old lady and the devil (Track 5 on Harry Smith's Anthology of American Folk Music volume 1). I do not own the rights on this music, I just want. description.
  5. Feb 09,  · Its broad scope--from country blues to Cajun social music to Appalachian murder ballads--was monumentally influential, setting musicians like Bob Dylan down the path to folk fandom. The White House started its own national music library with the Anthology ; anyone with more than a passing interest in American roots music should do the same/5(75).
  6. indie.darkfurymoongrovemightfont.infoinfo: anthology of american folk music. by Anthology Of American Folk Music - Edited By Harry Smith. out of 5 stars Audio CD More Buying Choices $ (7 new offers) Anthology of American Folk Music Volume 2 Social Music. by Various. out of 5 stars 1.
  7. Originally released in as a quasi-legal set of three double LPs and reissued several times since (with varying cover art), Anthology of American Folk Music could well be the most influential document of the '50s folk revival. Many of the recordings that appeared on it had languished in obscurity for 20 years, and it proved a revelation to a new group of folkies, from Pete Seeger to John 10/

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